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Projects in and around Adelaide

Local artists bring tales of discovery to city laneway

Head down to Chesser St, Adelaide where local artists are transforming the leafy laneway into an outdoor gallery. Inspired by the story of Captain Chesser and his ship Coromandel, the temporary art work consists of nautical motifs and text based designs painted on sections of the road and roller shutters of local business, Ottaway Jewelers.

The themes of discovery, adventure and determination are presented in the art work to connect people to the history of Chesser St and the ethos of business owners within the vicinity.

Commissioned five months ago, the installation is part of a broader Adelaide City Council project to activate underused city streets and encourage people to discover the hidden gems of our public realm.

 

Shaping the future of the city now

After twelve months of unearthing fresh new ideas and propositions for the renewal and activation of inner Adelaide, the 5000+ team will reveal their findings to the public at the Collaborative City Exhibition, opening on the 15th of October.

The Collaborative City exhibition centers around improving the daily lives of people in our cities by improving processes and our urban networks as an integrated whole. In addition to the exhibition, there will also be number of other events taking place around the city throughout October. These range from forums and lectures, to public walking tours. For more information, visit 5000plus.net.au, check out the IDC’s Facebook page, or join the conversation on Twitter usingthe hashtag #collabcity5000.

 

Vision with a difference

As part of Adelaide City Council’s contribution to the Integrated Design Strategy for inner Adelaide, acclaimed architect and urban designer Jan Gehl and his team from Gehl Architects were engaged to conduct a public spaces and public life survey of Adelaide City. The resulting report proposes ideas to recapture public space and create a more diverse, liveable and inclusive city where “like a good party, guests stay because they are enjoying themselves” (Gehl 2012).

The key recommendations contained within the 160- page report range from making better use of the parklands and expanding the city’s retail centre, to major public transportation upgrades and attracting more residents to the city. The report will be a valuable tool for understanding Adelaide’s public realm and to inform decision-making surrounding the future direction of our city. The Public Spaces and Public Life study 2011 can be downloaded from the Adelaide City Council’s website.

 

Adelaide Parking Day 2012

This year’s Park (ing) Day was bigger than ever with people from all over Adelaide reclaiming 35 parking spaces across the city, transforming them into vibrant living spaces.

Park (ing) Day first began in 2005, when San Francisco arts collective ‘rebar’ came up with the idea that paying a parking metre is like renting a public space.  The aim is to bring city streets and squares alive for the day with colour, activity and people, who can explore the creative work of design professionals, students, community groups and local businesses.

Adelaide’s PARKs this year were characterized by much variety and innovation, showing an evolution from the classic miniature “park” with plants, seating and turf to more sculptural, conceptual and interactive creations.

Adelaide Parking Day has grown since humble beginnings in 2010 to become a highly successful event, generating a buzz of creativity and discussion about how we design and use our public spaces.

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A room with a view

There was never any debate about the wall on which the mirror should be hung. What took time was the careful calibration to capture the precise reflected image. I am privileged to live within a postcard of one of the world`s most beautiful cities – in fact, in its very Samba-pulsing heart. Rio de Janeiro is a city rich in iconoclastic images; so much so, that this month UNESCO designated it a World Heritage Site. It is also a very big city. As such, it has very big city injustices which are unworthy of its splendid frame of sheer granite peaks, fifty kilometres of white, sugary-sand, city beaches and the largest urban forest on the planet. The calibrations of these injustices will take much more time than the placement of my mirror.

The view from this mirror however,  greets me with an unapologetic smile as I exit my bedroom first thing every morning. It is a portrait of close and distant mountain ranges, tropically-dressed islands and a dappled sea. It is a panorama unchanged from my childhood except that the vegetation is even more luxuriant now. Indeed, within this carefully selected slice of my birth city (home to 12 million people), everything remains as untouched as it was when the first Portuguese discovers sailed into the Bay 447 years ago.

The only thing that does change within this view is the mood; defined, as it is, by light, cloud and season. It is always provocative, always seductive but always with this capacity to surprise which causes me to gasp a dozen or more times throughout the day.  Its greatest beauty however, is that it is a beauty well-shared. No single social class has ownership of it. The recent portentous but largely failed UN Summit on the Environment in Rio did at least provoke debate on the fringe. I attended a stimulating presentation by the reforming former Mayor of Bogota City who made the expansion of public space his political signature. His city’s projects on the democratisation of the urban environment are inspirational. After all, the value of a view should not be measured by how few people have been able to enjoy it, but by how many.

Alexandre Kalache,  Adelaide Thinker-in-Residence, 2012.

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Back Lanes by Mike Ladd

Place, to me, is not only about geography or a history of usage, but about feelings had in a particular location, feelings that can be re-drawn from the trees, the stones, the buildings.

Very many of my poems are placed here in Adelaide, either directly by naming physical features, or, more hopefully, by rendering the feel of the place. Outer and inner suburbs are my favourite territory, especially our galvanised iron laneways, as in this poem , Back Lanes

 

Applique of weathered tin and light-soaked stone,

overflow of fig, sultana vine and nectarine,

covert of the shadow bird, the flitting

darting passerines. Dark, delicious, deep

as in summer the last three fingers of shiraz –

the stories at the back of things,

the unknown “if”, the winding “as.”

 

Mike Ladd

2012.

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What is Place?

When asked what is Art? I often cheekily answer that for me Art is a verb – It is an action word and I am compelled to do it. With this in mind I have found it interesting to ponder Place the verb as well as Place the location. For it is often in the act of placing things (either physically or in thought) that we locate a place within our own ongoing story. And so meaningful places are often not stagnant they constantly change as both humans and nature place and replace things within them.

Lisa Philip-Harbutt,
Director, Community Arts Network SA

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Thoughts on place from Ianto

I see place, at least in as much as it relates to towns and cities, as something that people do, rather than something purely physical. A bunch of empty buildings or a street might be a place in a fairly literal sense, but it isn’t a ‘place’ unless there’s people in it, doing something. To that extent, ‘place’ is a verb and what we’re talking about when we talk about a place being ‘healthy’ or, to use the cliched term, ‘vibrant’, is a description more of people than physical space. So, if my logic makes any sense, if you want a ‘vibrant’ sense of place, you sort of need people to have a sense of agency over it, so they feel like they can do something. Otherwise, they’re just passing through a bunch of buildings and streets, not really making a sense of place.

Ianto Ware

Writer in Residence for an art project based out of the Potts Point Country Women’s Association. http://browncouncil.com/massaction/…..and former CEO of Renew Adelaide.

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Guest contributor – Annalise Rees

Annalise Rees is a local visual artist and our first guest contributor – offering her perspective on place.

My work explores notions of place and identity related to everyday lived experience. Gaston Bachelard wrote “thus we cover the universe with drawings we have lived,” my work ponders this, drawing from my experience of the world around me while also projecting into the world of what potentially might be.

I am interested in how drawing can physically occupy and define the spaces we inhabit. I consider drawing in both two and three dimensional terms, as something which can occupy space and generate place, as well as being representational of it. I think of place as being somewhere we travel to as well as something we carry with us from one geographical location to another and perhaps also something of ourselves we leave behind.

Making work that explores the symbiotic relationship between place and identity allows me to be my very own master of the universe Bachelard speaks of and provides an opportunity to investigate the nature of human activity and interactivity in our environment. Ultimately for me, Place is about people and human connection. I am excited by the potential for art and architecture to work together presenting possibilities for the creation of real spaces that engage and generate a sense of place and ultimately belonging.

Annalise’s work can be found on the streets of Adelaide throughout the PLACE 2012 season. For more information please stay posted at:
http://www.placesa.com.au/events/finding-place-a-drawing-journey-2012-09-01/